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Radiohead - The King Of Limbs

Radiohead are always good for a surprise: first, there was no information on a release date for their eighth album, nor a title, a cover or a track list. Then, as Valentine's Day greeting to their fans not only all of this information came at a time, but also making it known that in advance of the panel are already five days later, so this Saturday, the complete album available for download would.

Radiohead took leave of their "pay-as-much-you-want" idea, but deliver "The King Of Limbs on 9 May as the so-called Newspaper album (two 10''disks, CD, special artwork and a special package just for 36 €) from - whatever you have to imagine below.

Radiohead - Lotus Flower - MyVideo

In the course of the guard there was with the video for "Lotus Flower" first new sounds to hear, and for some hours there is tumultuous fan comments that are appalled at the length, or show better soon the album: are only 8 tracks in just under 38 minutes for spoiled Radiohead fans ("In Rainbows" it brought in the limited form of 18 tracks with significantly more than 60 minutes) appear to too little.
would perhaps Radiohead Download the singles "Harry Patch (In Memory Of)" and "These Are My Words Twisted," which was published in 2009, yet easy to pack on the album. It definitely would not hurt.

but also about the quality of the songs is already being heavily criticized and opinions range from "masterpiece" to "(hindenken here insert title of the weakest Radiohead album) biggest disappointment since ...". Can say definitely that the path is "In Rainbows" last struck, pursued consistently. Not easily detectable melodies, electronic sounds of percussion dominant tricky, bumpy, often in regions Dubstep slide on rhythms, accustomed to Yorke's whiny vocals. Guitars are rarely heard, but is often played with the Kid A-Experimentierbox ("Little By Little"). One or the other jazzy excursion (in the instrumental "Feral") may also little lacking, as the simple, emotional ballad (piano, "Codex", acoustic: "Give Up The Ghost").

One of the many hastily written track-by-track reviews can be found for example in the British Telegraph that BBC comes to the following case:

The staggering, off-kilter opener step of Bloom might not click with those holding a candle for The Return of the Gallagher a week from this record's release, but to anyone with even half an ear tuned to In Rainbows it’ll seem very (although not over-) familiar indeed. Morning Mr Magpie plucks its way into a Foals-ian spin, the masters seemingly taking on board a few tips from their hometown pupils. Lotus Flower – the source of #thomdance Twitter activity once its video was unveiled – is another piece that looks backwards rather than projecting into bold, new sonic territories. It flails and flaps, but in a manner entirely in keeping with its makers’ predilection for the metronomic – to the wrong ears, it’s five minutes of the same beat, utterly unremarkable.
But that’s the beauty of Radiohead – they’ve never, certainly not since the breakthrough days of Creep, been a band for the people. They’re too idiosyncratic for that, and even though there are moments aplenty here that suggest the band hasn’t furthered their vision, subtle differences to a tested formula ensure The King of Limbs is another great album from Britain’s most consistently brilliant band. And come Codex, it truly strikes the listener dumb. Like Motion Picture Soundtrack, Street Spirit, Sail to the Moon, Nude – insert your own favourite slow-paced Radiohead numb-er here – it’s a piece of rarefied beauty. Thom says something about dragonflies, something else about nobody getting hurt; the words blur and blend, though, as beneath them the simplest, most strikingly gorgeous piano motif bores its way into the heart. And it's here, not any of your limited-character-blogging or video-sharing sites, that Radiohead trump all comers, again.

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James Vincent McMorrow - Early In The Morning



This past weekend I spent with some dear friends in Dublin. We went without a goal through all taverns of the city, on the stage we played music with local bards and hunted countless jugs Guinness afterwards. It was a great pleasure. On the night way in our hostel we met a lone street musician and his lyre. Enchanted by its bewitching performance I bought his CD ado, the constantly since then my life to sound.

In reality behaved, of course not quite the same way. On James Vincent McMorrow I do not hit the Nightly * on Dublin streets, but as part of a simfy Playlist of the online magazine crazewire . There, his song "If I Had A Boat" can be heard, who immediately moved into a permanent home in my heart.

James Vincent McMorrow - If I Had A Boat by partisanpr

friends music Bon Ivers or Fleet Foxes are now perhaps ears and should certainly also address these songs:

James Vincent McMorrow - From The Woods by partisanpr

James Vincent McMorrow - This Old Dark Machine by partisanpr

The good man Ireland need to hear quite a bit. The comparisons to hail Bon Iver it by the dozen. All of you must deny that here also do not know why you should too? A song is a story and you never experienced it twice. Thus, the modest demand of a lingering plate has reached its destination. Some speak of a potential classic of the decade. ( Prince )

The good man out of Ireland would make quite fantastic on the Haldern Pop. (Olly_golightly)

EPK


* Des nights at Dublin's streets, however, we met on Pierce Brosnan and if not a good fellow passengers had expressed distinctly these words, I would have missed quite possible: "There is Pierce Brosnan! As Pierce Brosnan is! PIERCE BROSNAN! "

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PJ Harvey – Let England shake

On PJ Harvey music I first met in 1993. As part of the grunge hype a little later was their third album "To Bring You My Love" a lot of attention. Its successor had "Is This Desire?" Deserved it, but it is also a very strong work. But all was right then surpassed by "Stories From The City, Stories from the Sea" in 2000. It is one of my favorite albums. This level reached the following works of the last decade, not again.

appeared few days ago, now with "Let England shake " the eighth studio album by the English woman. Counting the marked explicitly including collaborations with John Parish, one could even celebrate the tenth release. "Let England shake" was recorded in an old church in Dorset. To the side stood to her, in addition to John Parish Mick Harvey (Nick Cave-side kick) and Flood and to a large extent the troops, which is already providing for "To bring you my love" all the work.

The result: Great. located on table to their home country gathered PJ twelve songs, the one-dimensional to have quoted clearly in a dark direction and sometimes surprising variety and almost happy-sounding music can be thwarted.

given "The guardian "

There is always a risk that an album full of war poetry might feel like a downer. But the payload of grief on Let England Shake is made infinitely more bearable by music that really shakes, too.

"Stories From The City, Stories From The Sea" was perhaps a bit romantic and catchy, "Let England shake" the potential of these elements, in-depth and mystery has to beat. The NME awards 10/10 points . For my final verdict I need some more time. Each PJ Harvey fan, the album hopefully in his possession. Every indie rock fan should have access now, before he missed the end of 2011 one of the albums of the year.

The Rolling Stone describes the music as follows:

Somewhere between inclined folk, ethereal new wave and Patti Smith elegies, these pieces have established that Harvey wrote to one half on the Autoharp, the other on unusually tuned guitars and together with John Parish, Mick Harvey and Flood with a lot of sense for the atmosphere and space started. You can hear voices and instruments echo of the church walls, which gives the songs an air of eternity.

On passing from the collaboration with John Parish, a pattern, it is this: "solo album with John Parish," "collaboration album with John Parish," "Solo Album John Parish, album without John Parish. Consequently, would soon be back on "album without John Parish" due. The last was at the end of such a sequence "Stories From The City, Stories from the Sea." I'm interested to see whether PJ for a strong "Let England shake" may increase again.

The video for the title track:

The tour is already sold largely to the lady. For the 22.02. in Berlin there are probably still tickets.